Friday, August 06, 2004

Ya can hear a sample of The Little Black Egg at
http://www.rhino.com/store/ProductDetail.lasso?Number=75466
scroll down to the title and click.
Thanx fo' the wellsguitars website
btw, I'm gonna pitch Tiger Jack at WTBC to have guests call in on his Saturday morning oldies show and talk about Otis, The Tams, The Rubberband, Wilbur Walton Jr., The James Gang, Roy Orbison, The Candymen, The K-Otics,The Allman Joys, The Hourglass, the Rockin' Gibraltars, The Five Men-ites, The Classics IV, Billy Joe Royal, Tommy Roe, Joe South, The Wicked Pickett,etc. etc.
Oh yeah, and today I found three Eddie Hinton articles from the Tuscaloosa News which would look great on the Web. I have the Saturday, July 29, 1995 article by Robert D. Palmer headlined Muscle Shoals music legend Eddie Hinton, 50, dies
.
I also have two Mark Hughes Cobb articles. The first is a nice Sunday, April 11, 1999 feature story headlined
Hard luck guy
A tribute CD to Eddie Hinton remembers the talents of a down-home Alabama boy

The last one is Cobb's Sunday, June 17, 2001 article entitled
Hinton a star in Alabama Music Hall of Fame
This article include two Mark Cobb color photos: one of Eddie's mother seated next to her son's star at the Alabama Music Hall of Fame and the other one is of the exhibit for Eddie and the Hall of Fame.
Let me know if there is interest in getting this stuff out there.
best,
Robert Register
Watch our Progress!
CUBA, ALABAMA
http://robertoreg.blogspot.com

Hey,
I lived in Daytona and was about 14 or so and just starting to get

around and hear local bands to learn more about playing my guitar.

I used to go hear the Night Crawlers all the time because they did

a lot of songs from the first three or four Rolling Stone albums which I loved.

I loved the Night Crawlers Little Black Egg. It was simple but had an infectious

guitar line going all the way through. Still a great sounding record.

Sylvan Wells later became a prominent attorney in Daytona and now has

retired and builds guitars in Virginia. Matter of fact I have a Wells acoustic guitar.

Check his site out at:



www.wellsguitars.com



Very interesting site for people who want an inside look at guitar building.



Best Wishes

Pete Carr

www.PlayThatGuitar.com


FROM MIKE STAX'S LINER NOTES FOR NUGGETS:ORIGINAL ARTYFACTS FROM THE FIRST PSYCHEDELIC ERA, 1965-1968THE LITTLE BLACK EGG - The Nightcrawlers(Michael Stone)
Personnel/CHUCK CONLON: vocals, bass * ROBBIE ROUSE: vocals * SYLVAN WELLS: lead guitar * PETE THOMASON: guitar * TOM RUGER: drumsProduced by BRAD SHAPIRORecorded in Miami, FLLee single #1012 (1965); Kapp single #K-709 (11/65); Pop #85
Like so many '60s garage classics, the greatness of "The Little Black Egg" lies in its inherent simplicity. The jingle-jangle guitar hook and bizarre, almost nursery-rhyme lyrics made the song eminently coverable. And its impact was much further reaching than its chart placing would indicate.
The Nightcrawlers were conceived in early 1965 by a group of high school students from Daytona Beach, Florida. Early demos recorded by Chuck Conlon and his friend Lee Hazen attracted the interest of local music publisher and label owner Robert Quimby, and two singles appeared in the summer of '65 on Lee Records. After airplay on WROD, the second single, "The Little Black Egg," shot to #1 and did nearly as well in other Florida markets. Miami music kingpin Henry Stone leased the tape to Kapp Records, and after a complete remix to give the song a fuller sound, it was reissued in November. Promotion and distribution was slipshod, so it took over a year for the single to crack Billboard's "Hot 100."
. YOU BURN ME UP AND DOWN - We The People(Thomas Talton)
Personnel/TOMMY TALTON: vocals, guitar * DAVID DUFF: guitar, vocals * RANDY BOYTE: organ * WAYNE PROCTOR: bass, vocals * LEE FURGUSON: drumsProduced by TONY MOONRecorded in Nashville, TNChallenge single #59340 (9/66)
In September 1966, We The People followed up "Mirror Of Your Mind" with the gimmicky, country & western-flavored "He Doesn't Go About It Right." The real gem, though, was over on the flip side: "You Burn Me Up And Down."
If "Mirror" walked on the edge of sanity, "You Burn Me Up And Down" toppled over the brink. From its clumsy, slippery-string guitar intro onward, the song never lets up -- the up 'n' down fuzz riff gives it a sinuous sexuality, with swathes of organ and feedback drifting eerily in and out of focus and Talton panting and screaming for release. Magnificent.
We The People continued to release singles and maintain regional popularity until their break-up in 1968. They deserved much more.
DOUBLE SHOT (OF MY BABY'S LOVE) - Swingin' Medallions (Cyril Vetter/Don Smith) Personnel/JOHN McELRATH: vocals * JIMBO DOARES: lead guitar * BRENT FORTSON: organ * JIM PERKINS: bass * JOE MORRIS: drums * CARROLL BLEDSOE & CHARLIE WEBBER: trumpet * STEVE CALDWELL: saxProduced by KARRICK PRODUCTIONSRecorded in Muscle Shoals, AL4-Sale single #6230 (12/65); Smash single #S-2033 (3/66); Pop #17 What could be more frat rock than "Double Shot (Of My Baby's Love)" by the Swingin' Medallions? Delivered in a riotous, sing-along style, with an organ hook that just won't quit, "Double Shot" conveys a drunken party mood that is impossible to deprecate -- no matter how idiotic it all sounds. Formed in Greenwood, South Carolina, in the early '60s, the Medallions were soon in demand to play the local frat houses and beer blasts, delivering their proudly American rock 'n' roll/R&B stomp with no frills whatsoever. Written by Cyril Vetter, drummer of Baton Rouge, Louisiana's The Greek Fountains (themselves named after a frat house synonym for vomiting), "Double Shot" appeared first by the Medallions on the local 4-Sale label at the beginning of '66. Smash Records picked it up for release in March, and after a brief battle with a competing version by the K-Otics on Bang, the Medallions won out. Other 7-inch releases appeared on Smash, Dot, and 1-2-3, but by '68 the party had truly ended.http://www.rhino.com/features/liners/75466lin7.lasso
http://www.wellsguitars.com
http://www.rhino.com/store/ProductDetail.lasso?Number=75466

Thursday, August 05, 2004

Subject:
Re: Whatever Happened To Kim Venable(drummer for K-Otics and Classics IV)?
From:
"John Townsend"
To:
"robert register"

Robert,Hope everthang's flush in Nawthpote. Last time I heard from Kim Venable he was running his father's concrete plant or building supplies or something like that. I believe it was in the Montgomery area. Auburn Burrell and Mike Huey were out here in L.A. around the same time I ran into Kim. That had to be the late 80's. Auburn played for a while with Mac Davis and played on some of my demos during that period. I didn't remember Kim playing for the Classics IV. The Rubber Band used to do lots of gigs with the Candymen, James Gang, K-Otics and later the Classics IV. I didn't see them for a while and when I did Mike Huey was playing drums with them. Mike later played drums for Glen Frey on his records and in his solo band. Mike is doing production and publishing last time I heard. I always liked Kim. If you find out where he is, please let me know or have him contact me.
John Townsend
http://JohnTown.com


J.R. COBB[BORN,B'HAM,AL.] AND BUDDIE BUIE[BORN,DOTHAN,AL.] DURING A CLASSICS IV RECORDING SESSION

CLASSICS IV IN 1969: TOP ROW- KIM VENABLE[DRUMS-BORN,MONTGOMERY,AL.,FORMERLY OF K-OTICS], DEAN DAUGHTRY [KEYBOARD-BORN,KINSTON,AL.,FORMERLY OF CANDYMEN], ENGLISH WHITE [SAX], AUBURN BURRELL [GUITAR]
BOTTOM ROW- DENNIS YOST AND BILL GILMORE[DECEASED,BASS- FORMERLY OF CANDYMEN]
http://crystalhorizon.com/Classics_IV/scrapbook.htm

Date: Thu, 02 Jan 2003 19:24:59 -0000
From: Jeff Lemlich
Subject: Re: Pollyanna

Andrew Jones wrote:
> Billy Joe Royal's DOWN IN THE BOONDOCKS album opens
> with a song called "Pollyanna". I'm sure I've heard
> this tune by some other act, a Four Seasons-style
> vocal group (though not the Seasons themselves).
>Anyone know who it could've been?

It was THE CLASSICS (better known as the Classics IV) on
Capitol 5710, released in July 1966. "Pollyanna" was a
top ten song in their home state of Florida, which helped
earn the group an appearance on "Where The Action Is"
(performing that very song). Dennis Yost was still the
drummer at the time. When the band got big, they hired
Kim Venable from
the K-Otics to take over on drums, and
put Yost out front.
http://www.limestonerecords.com
Jeff Lemlich
http://www.limestonerecords.com

The "K-Otics" from the Sixties
L to R: Glen Griffin[A SR. '66 DOTHAN HIGH TIGER!!!!] on his Vox organ, Tommy "Swamp Man" Mann, Kim Venable
Marvin Taylor (seated) and Ray Goss

http://www.fivefeathers.com/MarvinTaylor.htm

Wednesday, August 04, 2004


EDDIE HINTON

http://www.zanerecords.com/artists/hinton/biog.html

THE MAGNIFICENT RUBBERS!!!!

LOUIE WEAR
http://www.geocities.com/louiewear/

IF YA LOVE THAT OLD TIME BEACH PARTY MUSIC, CLICK ON LOUIE WEAR'S PAGE. LISTEN TO THE RUBBERBAND PLAY "CHARLENA" or EDDIE HINTON SING "SAD AND LONESOME" AND IMAGINE YOURSELF BACK AT THE OLD HICKORY IN PCB OVER 35 YEARS AGO!!!!

TIPPY ARMSTRONG WITH JOHNNY WYKER IN THE BACKGROUND AT THE OLD HICKORY ON PANAMA CITY BEACH IN THE SUMMER OF '65. WYKER AND JOE SOBOTKA CO-WROTE "LET LOVE COME BETWEEN US".

SAILCAT
- PHOTO TAKEN IN NEW YORK CITY BY TUSCALOOSA NATIVE JENNIFER TOFFEL-TOWNSEND WHILE SHE WAS STUDYING FILM AT NYU



THE MAGNIFICENT 7 IN FRONT OF THE OLD HICKORY ON PANAMA CITY BEACH

Monday, August 02, 2004


7164 tracks in playlist, average track length: 2:34
Playlist length: 306 hours 55 minutes 2 seconds
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17th Avenue Exits A Man Can Cry Modern 1035 45 1967 Mobile Alabama
17th Avenue Exits I Ain't Gonna Eat Out My Heart Anymore Modern 1035 45 1967 Mobile Alabama

Chimes #38 Matrix 777 45 1968 Dothan Alabama



K-Otics Double Shot Bang 521 45 Tallassee Alabama
K-Otics I'm Leaving Here Bang 521 45 Tallassee Alabama
http://home.unet.nl/kesteloo/excelply.html