Hey y'all~Tim McGraw
PUT Apalach on the map in
2009!!!!This song called
SOUTHERN VOICE by Dipiero
http://www.bobdipiero.com/news.html& Douglas will become our new anthem.
http://www.cmt.com/videos/tim-mcgraw/437639/southern-voice.jhtml?id=1622758From Red Kelly's blog
http://redkelly2.blogspot.com/Another very cool
Thomas, McCree, Thomas number, the vocalist on here, everybody seems to agree (except
Huey Meaux, who says he never heard of him), is a guy named
Big Ben Atkins.
http://www.myspace.com/classof65bandAtkins came up out of Vernon, Alabama (the same town that gave us
Dan Penn), leading a college circuit band called The Nomads, mining the same territory as Penn's Pallbearers. He cut his first single at Fame, a double sider of Penn/Oldham tunes that was actually produced by Dan, and released on original American Sound partner
Seymour Rosenberg's Youngstown label in Memphis.
Singles on
Statue and
Goldwax would follow, before he wound up at Grits n' Gravy. It certainly seems odd that Atlantic would agree to put out a record on a guy with an established 'name' out there on the street under a different moniker, especially seeing as how there were in reality two different Andy Chapmans on the same record. Like Tommy Tate said, this was also probably cut as a demo, and shopped out to Wexler who remained unaware of the ruse. I wonder what Huey would have done if it was a hit?
Quinton Claunch leased a couple more 45s to Josie, before Ben was picked up by Stax, who released the critically acclaimed
Patchouli LP on their Enterprise subsidiary in 1971. Produced by
Bobby Manuel and
Duck Dunn, it was cut at
Muscle Shoals Sound, and broke into the top 100 on the Billboard album chart that year. Like most white guys singing R&B in the late seventies, however, he ended up getting lumped in with the 'Country' guys (just like our friend
Len Wade), and his biggest hit would come on the Country charts with
We Don't Live Here, We Just Love Here in 1978.
Ben Atkins cut an LP per decade in the eighties and nineties, and is still around. According to
his website, he is now performing as a founding member of
The Class of '65, "...a complete show and dance band with a rhythm section, four piece horn section, light show, and female background and lead vocalists." His early material routinely fetches big bucks on eBay, and his own hard driving brand of 'blue eyed soul' still holds up today, as evidenced by this rockin' side that Huey Meaux produced on him over forty years ago (even if Huey doesn't remember it).
You can't make this stuff up.
posted by Red Kelly at 9:11 AM
Johnny Adams - Reconsider Me (SSS International 770)
Reconsider MeSHELBY S. SINGLETON, JR.
1931-2009
Shelby S. Singleton, Jr. passed away this afternoon, a victim of the agressive cancer that had spread throughout his body. An absolute giant of the music industry, he never forgot where he came from.
From his work with folks like
Brook Benton and
Dinah Washington at
Mercury, to the initiation of the big company's
Smash subsidiary in 1961 (when
Huey Meaux brought him Joe Barry's
I'm A Fool To Care), to his own
Plantation and
SSS International labels (along with its own various subsidiaries like
Silver Fox and
Minaret), this was a man who knew a good record when he heard it.
One of the original, seat-of-the-pants 'record men', he told
John Broven;
"A good promotion man was one that could stay up for two or three days, could outdrink everybody, still be up when they were all on the floor, and could outeat everybody. Just complete workhorses, that's what we all were."Singleton's Louisiana and East Texas roots ran deep. He was the guy who broke records like
Sea Of Love,
Hey Paula,
Breaking Up Is Hard To Do,
Chantilly Lace,
Running Bear, and on and on in those early days. He had a knack for listening to what the local disk jockeys and juke box operators had to say, and taking it nationwide. Just as with Huey Meaux (who brokenheartedly described him to me this afternoon as 'more than a brother'), Shelby was lifelong friends with
Henry Hildebrand, Jr (pictured above), who ran one of the largest record distributors in New Orleans,
All South.
It was Hildebrand who turned him on to the work that
Wardell Quezergue was doing on his own
Watch label with
Johnny Adams. When Shelby started up SSS International, he leased Johnny's cover of
Release Me from Watch, and took it into the R&B top forty in early 1969. Genuinely impressed with Johnny's unmatched vocal talent, Singleton pulled out all the stops and brought him to Music Row to record this fantastic record we have here today. Written by his old friends from the Louisiana Hayride days in Shreveport,
Mira Smith and
Margaret Lewis, Shelby's production helped make this Johnny's biggest hit, and one of the all-time great 'Black Country' records.
As we've
discussed in the past, when Singleton's Plantation release of
Harper Valley P.T.A. became an absolute phenomenon in late 1968, it paved the way for his purchase of
Sun Records from
Sam Phillips the following year. Shortly after that, he bought up the
Blue Cat and
Red Bird masters from
George Goldner, and continued in that vein, building up an incredible catalogue of great music that he was able to sell and resell over the years. An astute businessman, he presided over his
Sun Entertainment Corporation right to the end.
Well loved by all who knew him, Shelby S. Singleton's incalculable contributions to American popular music will live on forever.
May He Rest In Peace.
started thinking about Halloweens past tonight & realized that this Saturday is the 50th anniversary of my Grandpa Register's death. He was a conductor on an ACL train called The Judy that went to Bainbridge & Chattahoochee. Seeing Grandpa in the casket was the only time I ever saw my Daddy cry but after that was over Daddy took me on the Insider's Tour of Johnson Funeral Home on North Foster. Talkin' 'bout HALLOWEEN! He showed me where his gang stacked wooden formaldehyde crates up so they could climb up & look into the embalming room whenever somebody important was being prepared.
http://www.youtube.com/watch?v=DksGi7B5Bd spent all afternoon rockin' down @ Little Willies with the Alabama Blues Project Blues Party. The bar was closed ( got no hassles for bringing my miniatures) so the kids could attend and perform. Great vibes with superb art on display. What a wonderful way to raise money for a worthy cause~ The Alabama Blues Project: Bringin' The Blues To The Young & The Young @ Heart!
http://www.youtube.com/user/cara4lynn#p/a/u/0/TxwDHwrz4sg came up with this little joke tonight,"Who was more afraid, other than the Tuscaloosa Police Department, that Bama was gonna lose the game today?" Answer~"The restaurant owners!"
Had a lot of fun wid dah Big Orange. Ended up in a lawn chair in Mayor Mark's front yard & then hooked up wid Mort & Mary @ the southeast corner of The Houndstooth(my favorite perch!)
"WE GOT IT BY THE SKIN OF OUR TEETH!!!!"
http://www.youtube.com/watch?v=EPFk0X1p2fs knows that THE Pink Room in the County Jail is SRO tonight! They gotta be packed in there like sardines!When folks beeze uncontrollably sliding into OBLIVION, Stay Outta Dah Way! This town got CRUNK BUCK BAD AS# WILD tonight! Saw Frodo. He turned 21 @ midnight. Hope he don't think all that stuff he saw happens every night down at the pub.
http://www.youtube.com/watch?v=wD9mCp8SifM can't understand why the "Bloomer Incident"
http://en.wikipedia.org/wiki/USS_Bloomer_(1856) @ Geneva was left out of the book Pensacola During The Civil War. A Yankee invasion of South Alabama in December of 1862 seems like a pretty important subject to me. I just found out tonight that The Bloomer was engaged in the destruction of 380 different salt works & the town of St. Andrews in December of 1863. There are some great links on the Web.
http://www.geocities.com/Athens/Bridge/4684/raid.htm found an article tonight containing images of letters mailed with Confederate postage to Mail Route 1538 which was between Marianna and Campbellton. According to documents in the National Archives, my G-Great Grandfather, John Young Register of Geneva, had the contract to deliver the mail along this route in 1861. This was the road that the Yankees took before the Battle of Marianna.
http://www.jlkstamps.com/csa/archives/beau.htm went out to the UA tonight to see what was going on with this May of 1970 Performance related to the production of the musical HAIR by the Theater Dept. I'm in there @ the reception showing off some of my stuff & out of the corner of my eye I notice some Academic Sh*t Head just picked up my copy of the Thursday, May 7, 1970 Tuscaloosa News & start snapping it around like he bought it this afternoon. I called him on it & he acted like I hadn't said a thing. I told him,"Put it back where you found it or you're gonna get in trouble."
http://www.youtube.com/watch?v=U6tV11acSRk
bought a little book @ the Ft. Pickens' Gift Shop Thurs. that charged me to fulfill my destiny. The book by George F. Pearce is called
PENSACOLA DURING THE CIVIL WAR~ A Thorn in the Side of the Confederacy. If the Good Lord lets me, I'm gonna write a story about how the U.S. building Ellicott's Mound #381 in Houston County in Aug. 1799 ABSOLUTELY started all the Seminole Wars which lasted all the way up to the Civil War. The other story I wanna write is about MY PEOPLE during the Civil War.
http://www.youtube.com/watch?v=sMHyovwX7JM